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20 april 2016

Kunst

Dear readers,

 

Today I spent time with the 5th assignment for Jane Davies colour course.

 

The assignment was to make a lot of colour swatches, put them together and find out how the different background changes the colour in the middle.

I found this very difficult, and I am not really getting much further with this one.

I remember that the opticien who tested my eyes also asked me this question: ‘which one is brighter, the red or the green dot (against a certain background)?? And I always felt really dumb, because I could not see it…

The only thing I see is that as a colour is put against the opposite colour as a background, it obviously looks brighter, and jumps more in the eye. But that was already common knowledge.

 

Do you have ideas about this?

 

bye!

Simone

 

 

 

 

3 Comments

  1. Simone Nijboer

    Yes Dotty, I have been thinking about something similar.
    Eventhough I sometimes feel a bit ‘bored’ by all this colour-stuff (see what I wrote on 22 april), I caught myself watching at somebody’s clothes todat, thinking: hmm, aubergine-purple and light turquoise: actually a great colour-combination! So something is slowly entering my mind…

    I was thinking: I have a very big box of ‘beautiful photo’s’ (most nature-things, that I cut from nature-magazines). I can use them purely to make colour-studies.

    Thanks for this inspiration!

    It is a good idea to

    Reply
  2. Dotty Seiter

    Hi Simone, my idea is this: keep these swatches as resource material in your studio. They provide a way to look at various color combinations before committing to canvas if you so choose. They also provide a reference point for combinations that you like—combinations that appeal to YOUR eye, no matter what color theory might state.

    Reply

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